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Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate
Iznik Tile Plate

TURKISH TRADITION

Iznik Tile Plate

Product Description
  • Diameter : 26 cm
  • Hand wash only
  • This product is produced personally for you upon the order. Estimated production time: 8-10 days. Shipment duration will be additional and may vary with the shipment adress.

A long lost tradition. What makes ceramics from Iznik, an Anatolian town of bygone fame, special? The region’s pottery tradition stretches back to prehistoric times, but the art form blossomed under the Ottomans. In the late 15th century, craftsmen of Iznik replaced the traditional clay used in ceramics with quartz. The innovative technique produced a bright white base that made the four traditional colors found in Iznik pieces–turquoise, cobalt, malachite, and coral–stand out under a thick transparent glaze.

The tile motifs on this plate are the patterns of the tile panels of the historical Istanbul Rustem Pasha Mosque. In addition to the blue color dominant in the Ottoman Empire, Turkish red and coral red colors were used in the tiles as an innovation. Stylized plant motifs, naturalist style carnations, roses, tulips, hyacinth motifs, spring branches, motifs in the sazolu style and many other patterns were used on the tiles.

Ottoman sultans favored the new look and soon exquisite Iznik çini (pronounced “chee-nee”), as the tiles are known locally, adorned public spaces and important buildings in Istanbul, including the court’s main residence, Topkapi Palace. Iznik ceramics spread far and wide, even piquing the interest of Genoese and Venetian merchants. This golden era lasted for about 100 years. The decline of the Ottoman Empire meant a loss of protection for the craft, which had all but disappeared by the late 17th century. For the next several hundred years, original Iznik pieces appeared solely in art brokerages and museums worldwide (including the Louvre and the Smithsonian).


Today, a renewed interest in Ottoman heritage has sparked efforts to restore Iznik çini to their former glory by Turkish artists.

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